The daughter of Ellen, a Lutheran, and Edgar, a Jewish lawyer, she left Germany to study at the Liverpool College of Art in 1936, as she could not study art in her home country under the restrictions imposed by Nazi Germany.[1][2][4] She later studied at the Hammersmith School of Art and at the City and Guilds of London Art School, where she learned stone carving. Using these skills, she launched her sculptural career and began specializing in tombstone carvings.[1] When she applied for art school, she was asked if she wanted to focus on drawing, painting, or sculpting. She insisted that she wanted to study all of them; after all, she replied, Michelangelo had done so.
Inspired by an art exhibit of works from India, Duckworth studied ceramic art at the Central School of Arts and Crafts starting in 1956. While her early ceramic work was in traditional forms, she soon started to produce more abstract works. Her work started to fall into a middle ground that wasn't the typical ceramics thrown on a wheel and fired in a kiln or the standard forms of sculpture that used metal, stone or wood. As described by ceramist Tony Franks, Duckworth's style of "Organic clay had arrived like a harvest festival, and would remain firmly in place well into the '70s". While ceramists such as Bernard Leach rejected her work, other artists in the UK started adopting her style of hand worked clay objects.
She characterized porcelain ceramic as "a very temperamental material. I'm constantly fighting it. It wants to lie down, you want it to stand up. I have to make it do what it doesn't want to do. But there's no other material that so effectively communicates both fragility and strength."
In 1964 Duckworth accepted a teaching post at the University of Chicago's Midway Studios. She remained there through the next decade, eventually deciding to settle permanently in the United States, her third homeland. Her mural series Earth, Water and Sky (1967–68) was commissioned by the university for its Geophysical Sciences Building and included topographical designs based on satellite photographs with porcelain clouds overhead. Her 240-square-foot mural Clouds Over Lake Michigan (1976) is a figurative depiction of the Lake Michigan watershed. It was formerly on display at the Chicago Board Options Exchange Building., and is now on display at Regenstein Library at the University of Chicago.
SOURCE: Wikipedia


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